“Davide Padovan is a young Italian photographer devoted to nude and portraits series. He captures visions, where a sense of loneliness contrasts with the invasion of private spaces. He works on long series of photographs made of different shots combined one to the other, making sense when all together. I’m just looking for what I […]”

Getting Closer to Davide Padovan

Davide Padovan is a young Italian photographer devoted to nude and portraits series. He captures visions, where a sense of loneliness contrasts with the invasion of private spaces. He works on long series of photographs made of different shots combined one to the other, making sense when all together.

I’m just looking for what I see, nothing else, nothing more. It’s just another point of view about the body.

Which is your first photographic memory?
My first photographic memory is a Polaroid we took at the kindergarten during a birthday party.
Which of your pictures would you choose to introduce yourself?
I will probably go for the photograph of the guy diving in the pool. I guess I took it 4 years ago.
A famous person you would like to portray.
Rossy de Palma.
A famous picture you would have liked to take.
One of the Brooklyn Gang series by Bruce Davidson.
We know you are passionate about long term series, precisely of feminine portraits. It seems that while working on a series, you investigate inner themes, you observe with an analytical eye, you are in search of something deeper. What are you looking for while shooting?
I’m just looking for what I see, nothing else, nothing more. It’s just another point of view about the body.
Light plays an important role in your photography. Precisely, it helps to draw feminine beauty, to outline feminine profiles and bodies. Light enters the inner spaces, but this is never an invasion. It’s delicate, soft and gentle. It touches lightly your bodies. Light mixes with shadows, and emotions emerge. How do you reach this effect?
Well, I always try to look for a decent combination of natural and artificial light (such as lamps) but at the end it’s just a fortuity.
Beauty emerges from your shots. The beauty of common women, without make up, pure and genuine as they are, while lying in messy beds, sofas, or just on the ground of bare flats. How do you feel while shooting? Which kind of relationship do you develop with your models while shooting?
I ask to them to be as much comfortable as possible, in order to be able to take the best picture.
Speaking about “A Common Sense Of Disorder”, portraits alternate with dynamic black and white photographs. At first sight, the situations you are documenting are opposed and contrasting, they seem to have nothing in common. What’s the conceptual idea under this choice? Is there a trait d’union between the shots?
I think there is a number of images that you can find often in this series, under different kinds of forms, like a repetition. It’s quite unconscious, I think. I try to combine them, not always with a good result, actually.
You are a deep observer; you search for the surreal reality around you. Your photography captures visions; there, a sense of loneliness contrasts with the invasion of private spaces. Where do you usually find your inspiration?
I don’t know if I am a deep observer; there is no inspiration or something like that, I think I took picture of what interests me more, and captures my attention.
Your portrait sessions are more frequent than other kind of projects. However, your portfolio collects interesting exploratory projects, where the surrounding landscapes play the main role. What could you say about your approach to nature? What is your relationship with your surrounding reality?
Nudes and portraits represent just the 50% of my production and I always try to make a connection between them and other kinds of images. I think that landscapes are a natural consequence. If you analyze the human behavior, natural or not, the landscape is a second step where to put your feet, I suppose. Moreover, you are forced to have a relationship with the landscape. It’s just there, in front of you.

The analogical medium is not better or worse than digital, it’s just a different choice of medium. You need to think little bit more and, of course, it tastes different.

Where does your love for analogical medium come from?
The analogical medium is not better or worse than digital, it’s just a different choice of medium. You need to think little bit more and, of course, it tastes different.
Lights, shadows and emotions interact and mix in your photographs. Looking at your art, we can say your shots have a proper soul, they speak for themselves. Is this made on purpose?
Well, I think that pictures are not able to stand alone. The culture of the social media destroys the inner sense of series or projects. In the 90% of the cases they are just single images to be consumed immediately. They are just images. On the contrary, my images are born to stay together.
Your next project.
I don t know, I’m working on several thinks right now, but without good results at the moment.
Your main flaw and quality.
Bad memory.
Slow.
Make a wish.
To take decent pics, at least in my point of view. To travel.

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